The Null Device

Remember Leoncie, the other eccentric Icelandic singer who gave the world pop classics like "Radio Rapist" and "Sex Crazy Cop"? (The world, meanwhile, responded with stubborn indifference, apart from perhaps the odd "no way, man".) Well, she now has videos on YouTube, where you can behold the sheer awesomeness that is her unique pop sensibility (which draws on sub-Eurovision pop-rock and the genre of smooth, high-tech black radio-pop that fell into the cracks between Prince and hip-hop, with general-MIDI instruments and vocal stylings which sound somewhere between Whitney Houston and a Wagnerian valkyrie, not to mention inappropriately risqué subject matter). Go on, take a look at Sex Crazy Cop; you know you're curious.

(via rhodri) ¶ bizarre leoncie music outsider art psychoceramics wrong 2

So that was Eurovision 2007. A bit of a surprise; the Serbian entry which won it seemed rather lacklustre compared to some of the others, but romped home in the voting, presumably due to Serbia being located in a geographical/demographical sweet spot. Interestingly enough, Eastern Europe dominated the voting, with the highest-scoring western-European nation being well in the bottom half of the rankings.

There were a few highlights: Georgia's entry started off as a traditional torch song by a woman in a red dress, but then morphed into eurodance, and then the dancers whipped out swords and started dancing about, Cossack-fashion, with a wild glint in their eyes. France eschewed the usual white-gowned piano balladeer in favour of a troupe of Dadaist mimes in Jean-Paul Gaultier costumes, highlighting the ridiculous side of Gallic culture. (Fat lot of good it did them, they ended up something like third-last. I guess it's back to the chanteuse and pianist next year.) Romania's entry was a bit like France's on a budget; five blokes dressed like the habitués of a slightly unsavoury tavern, singing "I love you" in every language on earth. The music was vaguely gypsyish, and sped up dramatically towards the end. Neighbouring Bulgaria's started off like Dead Can Dance with extra percussion, and then went electro. And, of course, there was Ukraine's entry, with its sequined, uniformed drag queen, looking like Elton John crossed with Austin Powers. It had camp and kitsch in spades, and raised a few questions. What, for example, was the significance of them counting in German, and did they really sing "I want to see Russia goodbye", and if so, how did that make it past the vetting process?

The lowlight was probably Ireland's entry, which was pure, unadulterated Celtic kitsch of the most obvious variety, and quite deserving of its final position at the bottom of the board. This year, though, nobody got a nul points, and they limped home with 3 points or somesuch. Britain did a bit better, largely thanks to Malta giving them 12, though their song was stuck firmly in the mid-1990s. And the teeth on that stewardess were frightening; granted, Scooch, as uninspired as they may be, were a lot less cringeworthy than last year's entrant (a middle-aged bloke pretending to be a teenage hip-hop street thug, surrounded by dancing "schoolgirls" who, apparently, were borrowed by Turkey this year). And I'd have to give a dishonourable mention to Russia, whose entry was a piece of soullessly machine-extruded commercial pop, trading on sex appeal (sample lyric from the three immaculately coifed girls doing the singing: "put a cherry on my cake and taste my cherry pie"; ooh-err!) lacking any of the madness or wrongness that makes for an interesting Eurovision entry.

The other competitors: Belarus (incidentally, the last remaining state with a KGB) had black-clad female dancers scaling walls like assassins and John Barry-esque strings over its power ballad. The full might of the Swedish culture industry was unleashed in the form of 1970s glam rock attired in monochromatic retro cool. Latvia's entry was in Italian, and like a low-rent version of The Divs. Germany had a bloke named Roger Cicero (son of Herr und Frau Cicero, I presume) doing a Sinatra-lite swing number, in German. Armenia's entrant seemed to follow, stylistically, in the footsteps of that other great Armenian singer, Charles Aznavour, only with an overwroughtly woeful and somewhat strained ballad. And Turkey's entrant was a short, hirsute man wearing a red jacket and a broad grin, surrounded by belly dancers Terry Wogan persisted in pointing out were British. Presumably giving the United Kingdom something to be proud of even should they have ended up with nul points.

While some speculated that Lordi's astounding triumph last year (reprised in the Lord-of-the-Rings-esque opening video) would have opened the door for a flood of hard-rock/heavy-metal bands, this did not entirely come to pass. Finland followed up their win with a new genre, which could be dubbed, Tolkienesquely, MOR-Goth, consisting of torch songs with emo-esque lyrics and plenty of black clothing and gothic makeup. The other main Lordi-influenced act was Moldova, whose song sounded like the sort of alternative-rock song that ended up on Hollywood action-film soundtracks in the late 1990s; all minor-key strings, crunchy metal power chords and drum loops.

The promotional videos played before the musical numbers were done quite well, executed as whimsical stories featuring elements of Finnish culture. Some of the odder ones featured a goth riding a rollercoaster, hackers coding computer demos at the Assembly festival, a heavy-metal festival full of corpsepainted teenagers, a troupe of clowns giving an athlete an instant makeover so he could enter a restaurant, a twattish-looking bloke in DJ headphones playing the pipes at the Sibelius monument, and Santa Claus playing chess with one of the Moomins. Oh, and lots of mobile phones (Nokia, of course); the Finns, it seems, use them at the dinner table, and even propose marriage with the help of their cameraphones. Other than mobile phones, heavy metal appears to be a big part of the Finnish national identity; other than the promos, there was the entertainment during the vote-counting break, which featured the heavy-metal string quartet Apocalyptica, as well as acrobats.

Last but not least, one has to mention the astonishing phenomenon that is Krisse, the somewhat frightening-looking young woman with the pink puffer jacket and big ponytails plucked from the audience to interview competitors, stumbling through questions and going on about herself (sample question: "on a scale of 9 to 10, how beautiful am I?"). For some reason, she reminded me of Leoncie.

¶ apocalyptica armenia assembly belarus bulgaria charles aznavour cossacks eurodance eurovision finland france georgia germany goth heavy metal ireland kitsch leoncie moldova nokia romania russia serbia sweden tatu turkey uk ukraine 0

The contenders in this year's Eurovision contest look like a pretty varied bunch, a bit more eclectic than the usual generic Eurodance/R&B/Pepsi-pop. Finland is entering a black metal band with a song about Satan, the Icelandic contender reads more like Leoncie than Björk, and the UK is harnessing the power of the chav subculture by getting a street thug sans teeth to do a rap titled Teenage Life. The entire spectacle airs in the UK on the 20th (presumably with the usual arch commentary by Terry Wogan), and elsewhere at similar times.

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Iceland has given the world a number of unique musical acts in recent years, among them Björk, Múm and Sigur Rós; and now there's Leoncie, the Singer with the Black Beautiful Powerful Voice, who "blends South American and Portuguese rhythms with modern pop-rock beats which creates a dynamic blend called Leoncie Music"; she also describes her music as "European PowerPop-and RaunchyRock-Dance", which is borne out in titles like "Sexy Loverboy", "Radio Rapist-Wrestler", "Sex Crazy Cop" and "Safe Sex - Take Me Deeper", which are accompanied by promotional photos of Leoncie smiling through heavy make-up and showing off her more than ample cleavage (in her own words, '"A Little Bit Of My Cleavage Shows, And Then The Icelandic Volcano Explodes." Boooom!')

There are two MP3s provided for your delectation; they vary from General-MIDI radio-pop-soul to General-MIDI beer-commercial rock, with vocals that sound somewhere between Whitney Houston and a Wagnerian valkyrie.

The site is a bit light on other examples of her music, though makes up for this with copious links to her CD shop, and even more copious nuggets of wisdom from the great artist herself:

Q: Any favourite politicians?
A: Definely. Tony Blair and George Bush. Blair is handsome, Articulate and has great distinction. Bush is Special too and has great Character and Style.

Q: Any favourite DJ' s ?
A: Everyone who plays my music, Worldwide.

Q: Any female Singer you admire a lot?
A: Yes. Britney Spears. Cher. Tina turner.

Q: Favourite male Actor/s
A: Steven Seagal, Sylvester Stallone, The Rock, Mr. Bean.

(via musicthing) ¶ bizarre culture iceland leoncie music outsider art sex wrong 1